Craig and I are in Murfreesboro, Tennessee visiting Cole and Emily for the last weekend of my spring break. Due to stop and go traffic on 65, it took us seven hours to get here, but arrive we did.
The first thing we wanted was a tour of Cole's in-home recording studio. It was absolutely fascinating!
I am not sure of what everything does, but I believe this is a percussion instrument. Cole would tap those large grey squares and you would hear different drum sounds.
Here Cole demonstrates some of its sounds for us.
A shot of the computer Cole uses to arrange, mix, and produce music.
He also has a really nice keyboard in the studio. (Actually, there are two - this large one and a smaller one he sometimes takes to class because it is easier to carry.)
Showing us how the instruments and computer are connected to one another.
The speakers are standing atop foam pieces which absorb any vibrations so the vibrations don't interfere with the recording quality.
Awww.... I love you, too, Cole!!
Part of the recording booth. Cole built it in a closet and lined the walls with a special foam padding to improve accoustical quality.
The $700 mic - it was on sale, so this was a good deal! Cole is very frugal, and he spent almost a year pondering this decision and saving the money to purchase it.
Showing me how to speak into iy.
This is a mount for mics. Like the foam, it prevents interference from vibrations.
Another type of mic. I don't remember just what it is used for.
And yet another example of microphone used in the studio. I think this is mounted near an instrument, perhaps with the previous one, and together get a stereophonic sound.
Two less expensive mics. The one on the left is a hand mic for concerts. I don't remember why Cole put them on the floor.
This was a neat machine and over in the corner and not connected to the other equipment.
A close-up of one of its dials.
This was SO COOL. As Cole plays some music he is mixing, these show what each strand is doing at a given moment. That way, he can change something at a particular point if he wishes because he knows exactly where he wants that change to occur.
A close-up of that screen.
A close-up of that screen. It's readable.
Another tool for mixing. He can alter the sound of each strand here by toggling these virtual tabs.
Cole played some songs he had mixed as well as one he was working on. According to him, that one sounded very unfinished, but to the untrained ear (i.e. mine) there was no difference. Cole said he would show me more this weekend so I can learn to hear the difference.
The studio tour was neat and very enlightening. Even better, I enjoyed seeing Cole doing something that brings him great joy.